Author Archives: Anne Ku

About Anne Ku

Anne Ku is a composer who teaches the ukulele and piano.

Previous ukulele workshops and courses

In keeping with my natural inclination to not throw anything away in case I may need it in the future, here are courses that I have given previously.

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Previous related events – ukulele

What are related events not lodged in my running list of ukulele workshops and jam sessions I organized? What someone else organized? I merely turn up? Or gather others to show up with me? What these all have in common is that … Continue reading

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Previous ukulele workshops and sessions

Since I launched my first ukulele jam session in Boston on that fateful night of the super blue blood moon in January 2018, I have been meticulously keeping an audit trail of all the jam sessions, workshops, and other events … Continue reading

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About Anne Ku

Anne Ku is a musician who shares her music in her blog posts on her website and on social media. Here is her journey. Continue reading

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Feedback, testimonials, what others said

Visit the UKULELE tab to get feedback from my students.

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Teaching

November 19, 2019 17:00 EST Boston, Massachusetts Another PAGE whose contents are shoved into a blog post so I can free up my website for what I’m currently doing. Yes, I still teach.

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Energy: electricity, electric vehicles

Energy: electricity, electric vehicles links relevant articles and material on this subject, project directed by Anne Ku on Maui Continue reading

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Two roads diverged in ukulele: strum vs pluck

Ukulele players today mainly exist in one of two worlds. If you go to a ukulele club, you’re most likely a hum and strum or strum and sing person. If you belong to a ukulele ensemble or ukulele orchestra, you’re … Continue reading

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Mauro Giuliani Polonoise or Polonaise from Op. 65

Should it be “polonoise” as printed on the title page of the sheet music or “polonaise” as we know it?

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Of guitar quartets and ensemble playing

In January 2018, I started a new ukulele group and joined the Boston Guitar Orchestra. For the latter, I begged the conductor to translate the notated sheet music for guitar part four into tablature so that I could read it. … Continue reading

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